While book sites and blogs may be wary of turning their attention too directly towards mere television, it’s interesting how often conversation in the smoky, after hours underworld of the comments section turns to favourite series. Here, The Fiction Desk takes a look at some of the television programs most often cited and loved by the acolytes of the printed page.

Brideshead Revisited

Brideshead RevisitedNot the recent film adaptation (which is rarely spoken of in polite company), but the 1981 series of Brideshead Revisited, starring Jeremy Irons and Anthony Andrews. The series follows Evelyn Waugh’s novel scrupulously, and is often held up as the high-water mark of television adaptations. The strong cast also includes John Gielgud and Laurence Olivier, and Jeremy Irons delivers a real love-it-or-hate-it narration. (Appreciation for the show relies heavily on tolerance for Jeremy Irons.) The performances are helped by Waugh’s plot, strong writing, an unending series of beautiful locations, and a stirring score. Some people even prefer the series to the novel, and I may well be one of them.

The Jewel in the Crown

The Jewel in the Crown screencapThree years after Brideshead Revisited, ITV scored another success with The Jewel in the Crown, an adaptation of Paul Scott’s Raj Quartet. In terms of production quality, this was the mixture as before: Strong performances (Art Malik and Charles Dance are both solid, Peggy Ashcroft poignant, and Tim Pigott-Smith demonic) and writing combined with stunning location filming around India. Much as I love Brideshead, the complexity and depth of Jewel in the Crown may make it my personal favourite on this list.

I, Claudius

I, Claudius ScreencapBack to the seventies and channel-hopping to the BBC for I, Claudius, based on the novel (and its sequel) by Robert Graves. It’s a very theatrical adaptation—all static sets and porridge makeup—and can take a while to get used to, but once you’re sucked in, there’s no denying the strengths of the series, which includes early performances from John Hurt and Patrick Stewart, among others. Derek Jacobi plays Claudius, and Christopher Biggins appears as a horribly sticky young Nero. The series encompasses both novels, and the general consensus seems to be that I, Claudius the book is better than the series, but that the series is better than second book Claudius the God.

Just don’t try showing it to an Italian: it doesn’t matter how good the rest of us think Brian Blessed’s performance is, the Italians will never accept Augustus as a rotund Yorkshireman.

The Wire

The Wire ScreencapEvery couple of years, the press gets overexcited about a new television series. “It’s like a novel!” they cry. “It’s killed the novel!” they add. For a while, The Sopranos was king of the bibliocides, but it pales in comparison to HBO’s The Wire. Series creator David Simon set out to show us the underbelly of Baltimore in all its violence and futility, examining different elements of the city in each series: the city’s betrayal of the working class, the failing school system, and the media who report it are all woven into the overall story of cop Jimmy McNulty’s attempts to fight drug trafficking in the city. It’s powerful, strong stuff, and it’s hard to look at other TV shows in the same way after watching it.

Foyle’s War

Foyle's War ScreencapThis is a new discovery for me, following a recommendation from a certain Canadian Kevin. Foyle’s War was intended as a replacement for the recently deceased Inspector Morse in ITV’s schedules. The series is set during World War Two, with each self-contained episode taking us a little further into the war. Foyle is a detective working murders in the town of Hastings, on the south coast of England and therefore a key strategic point in the event of invasion (we learned that one the hard way…). As well as the murder story, each episode explores an element of life in Britain during the war: the home guard, conscientious objectors, the rescue at Dunkirk, racketeering, and the treatment of German and Italian expatriates in Britain are all explored by writer Anthony Horowitz. In fact, one of the series strengths is the subtlety with which Horowitz works the background information and history into the script without it feeling unnatural; there are plenty of prose writers that could learn a great deal from him.

Having concluded the war at the end of its sixth season (fifth in the US, where two seasons were combined into one), Foyle’s War will apparently be back for another season set in the post-war years. Filming’s begun, so we shouldn’t have long to wait…